Facade
Click any photo to view a larger image
|
Various
Many streets in truly old towns and villages will represent constant changes and rebuildings over time, like at Corfe in Dorset.
|
Medieval - Elizabethan
Most of the Britain’s houses were built of timber until the eighteenth century. This street in York demonstrates the effects that overhanging timber jetties achieved during the fourteenth to seventeenth centuries.
|
Tudor
Later timber-framed facades become very complex: this is due to a taste for extra decoration rather than a need for extra structure. The Feathers at Ludlow is a classic example.
|
Early Georgian
Early Georgian facades are extremely orderly. Look at the way the doors are regimented, each flanked by two windows. The curved window heads are also classic for c. 1690-1730.
|
|
Mid Georgian
Mid Georgian houses were influenced by illustrated pattern books that promoted stylish features. These extravagant ‘rustications’ can be found on a house of c. 1740 in Stamford.
|
Victorian
The Victorians rejected the formulaic arrangements for Georgian doors and put them side-by-side, so now terraced houses were set as pairs in mirror-images.
|
Victorian
Well-to-do mid-Victorian houses were set upon basements which served as kitchens. Servants often slept in the restricted attic spaces. Finely-moulded doors and bay windows emphasise the smart living rooms of the owner
|
Later Victorian
Later Victorian mansion blocks epitomise city living on high-value plots. The absence of a garden is compensated by balconies, whilst patterned windows enliven the surface. Here, the fashionable material of terracotta is used in a Marylebone example.
|
|
1930s
After the 1920s, the modernist trend in architecture sought to strip away the nineteenth-century taste for ornament. These 1930s flats in Highgate, London, are enlivened by sweeping, streamlined curves.
|
1960s
After World War II, the Brutalist movement sought to emphasis the structure and plain materials of grid-like buildings. The need to accommodate large numbers quickly created a stacked aesthetic wherein all the services are vertically aligned.
|
|
|